Nothing but praise after Finnish opera premiere in New York

Finnish composer Kaija Saariaho’s opera “L’Amour de Loin” was performed for the first time in the US Thursday night at the legendary Metropolitan Opera. Finnish conductor Susanna Mälkki led the Met orchestra. The production earned universal acclaim from its American audience, with one newspaper enthusing that “what matters most is that this impressive work has finally come to New York”. 

Kaija Saariaho.
Kaija Saariaho Image: Ken Howard / Metropolitan Opera

Finnish composer Kaija Saariaho’s opera “L’Amour de Loin” (“Love From Afar”) premiered at the Salzburg Festival in 2000, where it was immediately recognized as an important new work for the opera community. Thursday finally marked the opera’s first performance in North America, at the prestigious Metropolitan Opera in New York.

“With this production, by the director Robert Lepage, the Met has also addressed a serious gap in its history: “L’Amour de Loin” is only the second opera composed by a woman to be presented by the company. The first was Ethel Smyth’s “Der Wald” in 1903,” writes The New York Times in its December 2 review.

Conductor Susanna Mälkki’s performance also caused a sensation.

Kapellimestari Susanna Mälkki Helsingin Oopperatalolla keskiviikkona 13. elokuuta 2014.
Susanna Mälkki Image: Kristiina Lehto / Lehtikuva

“In addition, Thursday’s performance was the Met debut of the brilliant Finnish conductor Susanna Malkki, who becomes, amazingly, only the fourth woman to take the podium in the company’s history,” the paper writes, and goes on to encourage the Met to secure Mälkki as a conductor as often as it can.

In its review, the Wall Street Journal calls Saariaho’s opera “one of the most important new operas of our era” and both papers agree that it’s about time the work was performed at the Met.

With a libretto in French from Amin Maalouf, the opera tells the story of the 12th century troubadour Jaufré Rudel, who falls in love with a Mediterranean countess Clémence and woes her from afar via a pilgrim that travels between them both.

The Times says that Saariaho’s dreamlike, ruminative music brings the perfect qualities to telling the medieval tale. 

Critic Anthony Tommasini also admires the risks the Helsinki-born composer takes.  

“Sometimes, the orchestra recedes into what can seem like murky, hovering slowness,” he writes.

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